#cowboy swap comic

[abaroo]

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Cowboy Swap Masterpost

Welcome back! I’m so excited to share Chapter 2 of the Cowboy Swap Comic with you all!!

[boonalina]

UTYellow characters swapping clothes:

Part 3: Starlo

Translation: Starlo in Dalv's: I look like an emo college professor Starlo in Martlet's: It's kinda... plain.. Starlo in Ceroba's: I am totally "slaying" this...

[indigo-flowers09]

I absolutely love these designs! and was just wondering what inspired them? I'm curious of what the plot's about, since everyone's species swapped

why not answer this question with another ref sheet(?) :3

I’d like to say, first and foremost, thank you very much for the love 🫶 i love getting asks and requests, these sillies live in my brain and drawing them is their rent

Second, i’m probably gonna keep plot talk on the DL unless i decide not to make a comic! Sorry :,3

Last but not least, inspirations. hooo boy this is a doozy

Firstly i wanna say i was inspired to make a comic specifically because of older ut comic dubs (Christmas party, handplates, Aftertale, etc) along with Scott Pilgrim and @akanemnon’s Twin Runes comic! (check them out i love twin runes a lot!!!)

The idea for the au is really just “What if the humans were monsters and the monsters were humans?” or, also “what if the (former) monsters were on the surface and the (former) humans were underground?” Classic Overtale plot!

Going in order, starting with AXIS, he’s actually one of the newest designs! i made him in my german class last week („•v•„U ) I wanted Axis to have a design change but remain a robot, maybe being more humanoid due to being made by a human! Changed his pipes and light bulb into what resembles hair and his wheel into roller blades!

Next up, Ceroba! i’ll be honest, i really don’t like Cerobas canon design that much. Love the colors but the short skirt and boots are not it, especially if she’s intended to be a more traditional japanese character. Like she’s not a magical girl, she’s in her 30’s?? Anywho, i made her prominently orange instead of pink (again, magical girl) along with lightening natural hair due to age and stress!

Clover. Clover Clover Clover!!! what do i even say about this precious little pup?! :3

I guess i could start with them being a Kitsune, of course, being switched with the Ketsukanes. Seeing as Ceroba is a mother and is often portrayed as taking a motherly role to clover, i figured a kitsune would fit them nicely! Along with being a cute, fun to draw, and curious troublemaker! I always like to remind myself that Clover’s just a kid.

Next up, Star! or, in this au, Stanley Sterling, the performative sheriff of a humble little town! i decided to switch up his poncho a little, for the sake of changing his design, gave him chaps (i like to call em pantaloons hoohoo!) and teal tassels for days! He’d prolly know more about cowboys than canon Starlo because, yknow, he lives on the surface!

Ah Martlet, or now, Marlette! but most just call her Marley. She has ~4 different outfits planned, a cozy, aviator style one for “Snowdin”, a sleeveless shirt with her flannel round her waist and a bandana for “the Dunes” and that flannel over her shoulders for “New Home”! along with a tee and pj’s for the epilogue. Her outfit is easy to manipulate so it only stays the same so often. Also, talon boots! ;]

And Dalv! Poor fella stayed a monster for the plot 😿 but i changed his design so he’s got a jacket similar to the one he has in Snowdin in uty but a whole lot smaller lol, along with a Batty pendant, a red vest and shoes and carved down horns! poor fella :(

Feel free to ask questions about these guys i am more than pleased to talk about them

[olivepeartr33]

MY FIRST EVER ART SWAP!!

Here’s my “Vampire Martin and Cowboy Jon” fake comic page for the amazing @moominmammaonheroin

PLS PLS PLS go follow him to see the piece he made for me it’s too good!!

[fountainpenguin]

Short Version: I don't even know how to begin explaining this, so take these 'fic doodles with no context.

Wish Fixers, my chronically unhelpful beloved...

Long Version (City Lights AU #ridspoilers beyond the above implication. Mentions of death and trauma; it gets pretty dark)

Nalooksthrough, I tag you below because I cited your co-dependent toxic friendship comic and said it was cool- If you don't want to click, that's all the tag was :)

So I started outlining my Dale backstory 'fic (Lemonade and Papercuts) since I am the most predictable person alive and of COURSE I can't resist 7 years of trauma and intimacy anxiety <3. But planning a 'fic like this requires many pieces and many questions.

First and most obvious- How did Vicky lure in Dale? From previous planning, I've already decided that since they're the same age (maybe one year off), they probably knew each other in school or activities.

Ex: Squirrely Scouts & Cream Puffs... Not unreasonable- Throughout the series, many kids participate and the organizations seem to have a big following in Dimmsdale. Vicky's sister Tootie is in the Cream Puffs and Vicky is seen bossing them around in the Season 0 episode "Scout's Honor" ("Oh Yeah! Cartoons"). There's a comic by the same name depicting Remy in Squirrely Scouts (after "Fairy Fairy Quite Contrary" but before he gets his memories back in "Remy Rides Again" and I always thought it was cute). I mean, look at him:

Pictures courtesy of the FOP Wiki

It's not unreasonable that Dale - who's also rich - might've gotten into that (especially since Doug is big on the cowboy theming and of all the rich parents, he's probably the one most okay with his son playing in dirt). Something scout-related could be an option even if Dale and Vicky went to different schools.

A friendship that gets increasingly toxic until it spirals into full-on abuse sounds really interesting (and @nalooksthrough portrayed this idea beautifully imo in THIS comic I can't stop thinking about).

Sounds fun to write, so let's go with that. What's next?

Hey, remember when 7 years ago, I headcanon'd H.P. as Dale's godfather because of this doodle in Da Rules that specifically refers to Pixie godparents and depicts a fluffy-haired kid in a purple shirt?

I recently found out I still had Dale listed as a godchild of H.P. on his full character profile on my fanfic sideblog. I was waffling over whether to retcon that (since I hadn't yet done anything with it), but I started brainstorming whether I COULD do anything with it.

I've always written Wish Fixers in 'fic [e.g. Origin of the Pixies] as a therapy business run by H.P.'s dad (which H.P. bought off him out of spite despite not being licensed for therapy) but, like...

Does Jorgen know H.P. isn't licensed? I can't see why he would... As far as he knows, H.P. owns and runs the place- especially given my lore that Wish Fixers has been in his family for many generations. Sounds qualified to me!

In "School's Out! The Musical" (episode that Da Rules screenshot is from), we learn Pixies are at the back of the line for godparent work, even under creatures like unicorns (Hence the Musical's plot requiring them to remove magical creatures from earth before they could assign themselves to Flappy Bob).

I said in a recent liveblog post that I'd always imagined this was a punishment given to them due to H.P. absolutely failing as godfather to Dale- Thus, the origin of the doodle on the page for that rule. But... I never decided what happened.

See, Dale SEEMS like a guy who would qualify for a fairy. He was probably pretty miserable under Vicky's 7 years of torture and he's still holding onto that trauma in his adulthood.

DID he have a fairy?

I'm just saying, we know from S4's "Wish Fixers" that H.P. is legally(?) allowed to make contracts that swap a fairy godparent with a pixie one if godkids choose to sign of their own free will... Hmm... I'm connecting dots I don't think I like... (I am lying).

I mean?? Dale clearly did not get out of the pit due to magical interference. If I'm committing to the doodle being Dale and reflecting an actual godfather-godson dynamic between him and H.P., then something sure went wrong there. I can't NOT make Dale suffer...

What on earth could've made Dale sign a contract for something a fairy couldn't give him? We know from "Nectar of the Odds" canon that he wished to see his dad, and thanks to previous liveblogs, I DO already have a headcanon of Dale being extremely desperate for his dad's love... Hmm... I can work with that.

I went down a rabbit hole trying to answer the question of how Vicky secured lemons for 7 years for Dale (and other kids) to work with. Here are some lemon tree facts:

- Lemon trees bear fruit after only a few years - They can bear fruit multiple times a year (depending on variety) - A single lemon tree can produce 1,500 lemons in one growing season - Dimmsdale is in California - a state known for lemon orchards.

That feels likely... An orchard of even a few trees can keep you going for a while.

But lemonade doesn't sell for much compared to other things Vicky could've set a kidnapped child up to do (Ex: In "Microphony," she has kids doing a bunch of other tasks like answering phones for her babysitting service, painting houses, and washing cars).

So... WHY lemonade? What is going on that makes this the thing Vicky has Dale do for 7 years?

And who owns the orchard? I need Vicky to obtain lemons without being stopped for 7 years.

Is it a Dimmadome orchard? Maybe, but several episodes imply Vicky's not familiar with the Dimmadomes - and she probably would have turned Dale in for cash reward if given the chance - so those are two things I need to keep in mind.

Does the orchard belong to her family? That's a possibility- Vicky is shown drinking lemonade after "Nectar of the Odds." She definitely could've bought it - It can't be too expensive unless prices were jacked up after she lost her cheap labor - but it's a drink she's seen with in multiple episodes. She definitely likes it.

And we know from "Timmy's 2D House of Horror" that Vicky's parents are terrified of her. It's not likely they'd stop her from taking lemons from the family orchard.

One problem... If Dale goes missing when he's about 9 (Closer to 7 or 8 in my planned timeline), Vicky is also 9 or younger. Are her parents scared of her when she's that small and inexperienced in the ways of the world?

In "The Switch Glitch," she's 5 and seems mild and sweet until 10-year-old Timmy mistreats her- She clearly didn't have memories of Timmy, implying she totally regressed to how she acted when she really was 5. Worth pointing out she goes off the deep end and chains up Cosmo and Wanda, so... she IS mean even at age 5. But also, she's 5. She wears the same purple hair bow in "Switch Glitch" (at 5) that she does when Timmy drains the meanness out of her in "Vicky Loses Her Icky," which is interesting.

So that begs the question... Can I turn my Dale backstory 'fic into a double story of Dale abuse AND Vicky going from a pretty innocent child to Totally Messed Up? Keeping in mind that according to Vicky in A New Wish, Vicky IS the one responsible for abusing him and he "spent 7 years' worth of Saturdays in a factory underneath a lemonade stand."

If that's the way I want to play it... Something happened to send Dale and Vicky down the dual victim-and-abuser path, destinies intertwined. And for some reason, Vicky stuck with the lemonade theme.

Dale just says he spent his Saturdays "in a factory underneath a lemonade stand." It's not out of the question he and Vicky made more lemon products than just lemonade, especially given Vicky's love for money (and those 600 lbs of lemons one tree can produce in a year). We can assume they changed locations a few times or someone would've found the trapdoor on Timmy's lawn. Plus when Dale started his abuse, Vicky hadn't started babysitting Timmy, whom she only met when he was 8.

So, I've set Dale up to be lured in by Vicky because they were friends. I like the idea of things gradually getting worse as Vicky slowly morphs from a friend into a very cruel person. If Vicky was bullying him, what stopped him from just... leaving?

Vicky's transformation was probably subtle if he stayed for so long..... I also pointed out in a recent post that Doug's underground milk empire where he uses hypnotized people for labor bears a striking amount of similarities with Vicky's lemonade stand, even down to the general vibes of "trapdoor entrance" (although it's implied there's another entrance in small building).

And if we want to be technical about things... We don't know if Doug and Dale pressed charges against Vicky. She clearly continues to babysit Timmy and other kids after "Nectar of the Odds" (Season 2).

In Season 4 ("Channel Chasers"), Doug remarks that Timmy's parents should've guessed Vicky was evil because of the Chip Skylark song "Icky Vicky," but he doesn't mention Vicky kidnapping his son. That's.... sus. He even offers to buy a car from her in Season 3's "Engine Blocked" (after Dale's escape).

Why would such a powerful guy let all of that slide? Did they just not have enough proof? Did Vicky wipe the place clean? Did Dale "not want to make a big deal about it" because he was so exhausted and grateful, he just didn't want to think about it or struggle with the legal system? Was he covering for her?? Was he scared to speak up?

... Did Dale not tell his dad the whole truth about where he was?

What if Dale was - in some vague and early concept way - in on the lemonade scheme from the beginning, back when he and Vicky were friends and she wasn't so cruel? Maybe she turned on him and sentenced him to the pit before long?

Why the underground-ness of it? Why the lemonade, which probably doesn't turn much profit... as lemonade. Unless you have unrestrained access to tons of lemons that you can turn into multiple products - Dale DID call it a factory - and no one is stopping you from accessing them...

... but how do you set up a situation where kids have access to a whole lemon orchard - presumably carefully maintained - and the adults don't take it away from them (Because... surely they would've found Dale and multiple other kids if they strayed close).

And Dale didn't leave. He does in "Nectar of the Odds" - apparently of his own volition - but not before. Was he kept there mentally as well as physically?

We KNOW Vicky can't be monitoring him 24/7 because "Nectar of the Odds" is the only episode depicting her paying attention to him, while others show her doing many other things in many other places (though it's worth noting Dale says in that episode that "Vicky's kept him locked up for so long").

Did he stay so long because it was the perceived better fate up until he miraculously crossed paths with his dad (via fairy magic) and took the risk? Would he have gone back in?

Maybe it wasn't supposed to get this out of hand. Dale and Vicky were young when this started... Somewhere between 7 and 9 (given that Dale was kept there for 7 years and Vicky is 16 when he escaped and he tells 9-year-old Dev this happened when he was Dev's age).

Maybe there was an accident. Something not just Vicky, but even Dale felt the need to cover up, especially in regards to the orchard and the fact that it needs to be Vicky's consistent source of lemons (and not something she lost out on before Dale's escape... an illusion of ownership maintained. Kids can't own the orchard, but what if they fooled people into believing it wasn't owned by kids?)

Hmm... some kind of accident that got two mostly innocent kids into huge trouble, thus setting up a horribly intertwined fate where if one of these toxic co-dependent friends backs out and squeals, even the squealer might suffer worse compared to trucking along on the cruel existing path.

tl;dr - if Vicky and Dale accidentally killed the orchard owner but they were kids and terrified to tell an adult lest they go to jail for life so they hid the body in the basement (or like ?? threw it to the coyotes or hyenas that inexplicably lurk on the fringes of Dimmsdale??) and are trying desperately to wipe their hands of this by pretending the lemon orchard is still operational so no one investigates until they can figure out a plan, and then Vicky hardens herself as a trauma response and manipulates Dale into believing it was solely his fault and she'll pin him with murder charges if he gets cold feet and turns her in, and he's miserable and gets a fairy (then loses his fairy via Pixie contract through Wish Fixers, presumably in an attempt to negotiate a way to protect himself from Vicky and somehow not gaining the ire of his father) and then H.P. (lawyer and unlicensed yet de facto therapist pulled two ways) is suddenly Dale's godfather and trying to comprehend what the flip is going on between misery and manslaughter while he's also juggling Gary, Betty, and Flappy Bob at the same time in preparation for the Musical because we know he spent 37 years on that plan...

... Would that be one messed-up yet hyperspecifically canon-compliant 'fic or what?

These thoughts have been haunting me all weekend and I HAD to get my "I'm not that kind of lawyer or therapist" joke out of my system, so there's your context. #Sorry. Is this the direction the actual 'fic will go? ... It's not the direction I really had in mind, but ?? It's off the wall and therefore I must shake it in my teeth. I can't not write Dale backstory this horrific. what. hey.

[roseghoul26]

Chapter 2: Grieving For The Living

Arthur Morgan x fem!Reader

Synopsis: A fic based off the song “ivy” by Taylor Swift. After a startling introduction to the man, Arthur Morgan became the most important part of your life. Married at a young age to an older, wealthy man to help your family, you were trapped in a loveless marriage, your only sense of escape with the rugged cowboy. Will you be able to keep your affair hidden, or will your husband find out, and destroy the last thing that made you happy? Tags: Fluff, Angst, Smut, Strangers To Lovers, Infidelity, Fem!Reader, She/Her Pronouns Used For Reader, Period Typical Misogyny, Emotional Manipulative Relationship (not with Arthur)

Author's Note:  i feel like i gotta say that i do not condone cheating…. but arthur morgan <3 also, this story does describe a very emotionally manipulative and abusive relationship, so please be mindful when you’re reading. the way the husband treats the reader is not right, in any instance, and cannot be tolerated.

Taglist: @ultraporcelainpig @lokiofasgard12

Chapter List

The first thing you noticed when he turned was that he had blue eyes.

Strikingly blue eyes, the kind that got lighter when the sun hit them, dazzling like diamonds. They widened comically when they saw you, a flash of panic crossing his features. So he did remember you. 

You smiled warmly at the group of men. “Good mornin’, gentlemen.”

The bearded man responded with a ‘good morning’,  and the well dressed one walked forward to meet you, extending a hand out to you. He was practically oozing with charisma, kissing the back of your hand when you grabbed it with a saccharine smile. “Well, good morning, ma’am,” he drawled, and you swore you saw the bearded man roll his eyes behind him.

“You remember Hans?” Leigh asked, and the man holding your hand led you into the small circle that had formed at the base of the stairs, bringing you into the conversation. “This here’s his wife. Been married for, what is it, two years now?”

You nodded, hiding the sadness that sentence made you feel. 

Leigh continued on. “Did y’all know she’s the daughter of the tobacco farmers up north, the Van Buren’s. Wealth practically runs in her blood!”

That seemed to get the mens’ attention, but the black haired one seemed especially interested. You couldn’t help the small sigh that escaped you; of course they only cared about your wealth. You highly doubt Leigh even knew your first name. All that you are to him is an extension of your husband.

“Is that so?” The black haired man asked, turning to look at you. Begrudgingly, you nodded, and you watched the three newcomers pass looks to each other. 

Leigh, ever the observant man, didn’t notice this. He continued to talk about your family, how it shocked everyone when you and Hans got married, and other things that you blocked out. Your attention was solely on the man beside you, the one with the hat and blue eyes.

Much like his voice, you weren’t expecting to see that beautiful of a face under the bandana. He was rugged, sure, but still quite pleasant to look at. God, why did he have to be handsome? He wasn’t the kind of handsome that you’d see in the high reaches of society, or plastered on a giant sign. No, he was the kind of handsome that you’d see from across the street, haunting your thoughts after one glance. 

With tanned skin and a small clustering of freckles across his cheeks, he had a short beard, trimmed and very clearly taken care of. His nose was crooked, a broken nose that was never set right, and the slight creases on his face told you that despite appearing to be on the younger side, he had a tough life. A black bandana similar to the one he wore last night tied around his neck, and he had swapped his blue shirt for a red one, the top two buttons undone. You flushed when the bandana shifted and exposed his chest to you, tufts of hair peeking out.

Leigh was still talking, spinning some tall tale of sorts, you’re sure, but you cut him off. “What did you say their names were, Sheriff Gray?” You knew damn well that he hadn’t introduced them to you, but you were tired of hearing about your own life from the lips of a liar. 

The sheriff faltered for a moment, before gesturing to the black hair man beside him. “This here’s Dutch,” he began, and you reshook his hand. The once too-sweet smile had turned into something more cunning, making you feel like you’d just walked into some elaborate trap. 

Trying to not feel too worried, you turned to the next man as Leigh introduced them. “This is Bill.” Like with Dutch, you shook his hand.

“It’s a pleasure, ma’am,” you heard Bill say, and you smiled politely.

Finally, Leight turned to the final person in the small group, the man’s whose eyes, you noticed, had barely left you during the entire discussion. “And this is Arthur.”

Arthur. The name echoed in your mind as you shook his hand. He was staring at you warily, and you realized that he had no idea if you knew who he was or not. It almost made you laugh. “It’s a pleasure to meet you all, gentlemen.” Arthur nodded, tipping his head forward slightly in greeting. 

“Now, forgive me if this sounds rude,” you began, “but what’re you three doin’ here in Rhodes?” It had become apparent quite quickly that Dutch had some sort of authority or power over the two other men, and you figured that he must’ve dragged them along to the town. 

Leigh spoke before the three others could. “These men here are goin’ to be the new deputies of Rhodes, Mrs. Kerrigan.”

You had to bite back laughter. Sure, Leigh was dedicated to protecting Rhodes, but he couldn’t see a ploy even if they spelled it out for him. “Oh, are they now?” If only Leigh knew that one of his new deputies had broken into your house last night. It was hardly noticeable, but Arthur stiffened his posture after you spoke. 

Leigh nodded, a proud smile on his face. “The town's in safe hands now. Well, not that it wasn’t before…” Leigh quickly backtracked.

“Do you think they’ll be able to help me with my problem?” You asked almost conspiratorially, making sure to keep an eye on Arthur. 

“Your… problem? Mrs. Kerrigan, I had no idea you were having-”

“It’s new,” you cut him off again. “See, I’ve been havin’ issues with break-ins lately. Normally we scare them off, but I’d like for someone to scare them off permanently, you know?”

It was Dutch who responded this time, nodding earnestly. “We can take care of that, don’t you worry, ma’am. How ‘bout one of you boys-”

“I’ll do it.” For the first time since you joined in the conversation, Arthur spoke.

The bearded man, Bill, tried to interject, but Arthur silenced him with a look.

With an expression that said that he expected Arthur to do this, Dutch clapped his hands together, before turning his attention to you. “Now, Mrs. Kerrigan, Arthur’ll fix this problem of yours in no time, mark my words. In the meantime, I would love to get acquainted with your husband.”

Of course. “He’s in the bank right now,” you explained. “You can wait outside for him, but I can’t tell you how long that’ll be.”

“I don’t mind waitin’. Bill, come with me to meet Mr. Kerrigan. Arthur, you go ahead and talk with this wonderful woman and see if you can’t solve her troubles.” You felt Dutch clasp your hand between his. “It was a pleasure to meet you, Mrs. Kerrigan. I sincerely hope this isn’t the last time we meet.”

“I hope so, too.”

Dutch began to walk away soon after, and after nodding to you one last time, Bill followed after Dutch, the two of them heading to the bank side by side. You knew Hans was gonna get quite a fright when he left; two heavily armed men demanding to speak with him. You almost wanted to stay outside just to watch. 

It was only you, Leigh, and Arthur remaining, and the sheriff quickly excused himself to the office, offering you a quick ‘have a good morning’ before disappearing, finally leaving you and Arthur alone. 

Glancing up at him, he looked back expenctantly, like he was just waiting for you to run back inside and spill everything to Leigh. He was visibly stunned when you turned away from the office and started heading back to the store, gesturing for Arthur to follow you. Funnily enough, you were able to hear his spurs this time, clinking against the dusty ground with each step as he followed behind. 

“You really ought to wear a less recognizable hat,” you teased once he was close enough, turning your head over your shoulder to look at him. You watched him take his hat off, examining it with scrutiny. Golden browns locks tumbled freely, more softer looking than you anticipated. Everything about this man surprised you.

“So you did recognize me,” Arthur muttered, and you laughed.

“No offense, but I think anyone in my shoes would be able to recognize you.”

Scoffing, you watched Arthur plant the hat back on with a little too much force than was necessary. He moved up so that he now walked alongside you, keeping a good foot between your bodies. “Your voice also gave you away,” you added, smiling when exasperation clouded his face. 

“I know that. I wasn’t plannin’ on speakin’ last night, but I wasn’t plannin’ on havin’ someone run into me.”

“Well, maybe you shouldn’t be breakin’ into people’s houses in the middle of the night.”

He couldn’t come up with a response to that, so he just shook his head, a ghost of a smirk on his lips. “You got me there,” he sighed. “So why didn’t you turn me in?”

“I’m askin’ myself the same question.”

“Well, if you change your mind,” he moved further away from you, keeping his hands up, “I won’t stop you from runnin’ straight to the sheriff.”

The rational and sane people would, first, not even be in the situation, having already turned Arthur in, but secondly, would also be taking him up on his “offer”. You decided that at that moment you were neither rational nor sane, so you continued to make your way to the general store. 

After a few more beats of tense silence, you finally reached the entrance. Turning with your hands on your hips, you fully faced Arthur, within distance to touch him if you so tried. Up close, it really put his size into perspective, the man towering a good couple of inches above you. He was broad shouldered, with a similar body type to someone who worked on the farms, which was a complete opposite of the frail physique of Hans. 

“Look, I think we got off on the wrong foot,” you stated, and you heard him hum in agreement. “Let’s start over.” Sticking out your hand for him to shake, you introduced yourself with your name. Not Mrs. Kerrigan. Not Miss. Van Buren. Just you.

Your name sounded awfully nice coming from him, you realized as he repeated it back to you. “Arthur Morgan,” he responded, giving your hand one last shake in his much larger one before letting go. 

“A pleasure, Mr. Morgan.”

“Call me Arthur,” he responded, that raspy drawl music to your ears. 

“Alright, Arthur. Then you don’t get to call me Mrs. Kerrigan. At least, in private,” you added with a glance around. There was no one else around, everyone either far enough away to not hear, or preoccupied with something else. For the moment, you didn’t have to keep up appearances. 

“Yes, ma’am,” he responded playfully, and you rolled your eyes. Walking in, you pretended to not feel the way your heart fluttered.

The bell chimed as the door swung open, and a familiar face greeted you as you entered, Arthur following in behind. “Good morning, Mr. Banks.” So much for not having to keep up appearances. 

Balding with a large handlebar mustache, A.J. Banks had been the sole operator of the general store in Rhodes for as long as you could remember. “Hello, Mrs. Kerrigan!” He chirped out, eyes nearly disappearing behind a smile. Out of all the shop owners in Rhodes, he was your favorite. “Who’s this?” You heard him ask, gesturing to the man behind you. 

“His name’s Arthur. Leigh’s appointed him as a deputy.”

Mr. Banks hummed with indifference. If it wasn’t about the feud between the Grays and Braithwaites, or about the general store, then he didn’t care. “Well, you know where everything is. Holler if you need somethin’!” And with that, he disappeared into the storage room behind him, once again leaving you and Arthur alone. 

“You’re quite popular,” you heard Arthur comment, and you shrugged as you picked up one of the sacks to fill with goods, slinging your own bag over your shoulder.

“I mean, I’ve known both of them for a good while now…”

“I ain’t just talkin’ about them.” Arthur stood beside you, absentmindedly examined various canned goods on the shelves, putting them back with thinly veiled disgust. “Probably every head on the street turned when you walked by. Don’t tell me you didn’t notice that.”

“I try to block them out,” you admitted, grabbing a few assorted cans of fruits and vegetables. “I have to.”

Arthur didn’t respond to that, and so you moved to the fresh produce, grabbing a variety of items, not really paying much attention to it. You had no idea if you actually needed any of these items, but it would be suspicious if you went to the store claiming you needed items and then leaving with hardly any. 

You could feel Arthur’s eyes on you as you shopped, likely teeming with questions, but he kept his mouth shut. “Do you need anything?” You asked, nearly laughing when you realized how similar it was to the question you asked last night. 

Arthur also seemed to realize this too, and you heard him chuckle, barely even loud enough for you to hear. “Nah, I’m good.”

You were about to let it go until an amber colored bottle caught your attention. It wasn’t the best whiskey in the world, but something told you that these men didn’t drink alcohol for the taste. Without a second thought, you snatched it up, adding it to your now heavy bag. It was a short walk to the store counter, but you still felt your arms hurt as you brought it over, having to use both to carry it, and they hurt even more so when you lifted it up onto the counter. 

The loud noise alerted Mr. Banks, who appeared around the corner within seconds. As he began to count up the total, you leaned against the counter facing him. “So, would you say my problem is solved now?”

Arthur barked out a laugh, and you watched the corners of his eyes crinkle up as he genuinely, truly smiled. It was a divine sight, one that had you sucking in a gasp. “I think so, darlin’.” You don’t think you’ve ever heard someone talk to you like that, voice dripping with pure honey. 

So that he wouldn’t see how dark your cheeks had gotten, you turned back toward the counter. In your brain, you were scolding yourself. You were a married woman, for God’s sake. You should not be acting this way over another man. Even if you really didn’t love your husband, and he wanted as little as possible to do with you, you were still married to him. That had to mean something, right?

But you still found that you would do anything to hear him call you darling again, if not to feel like you were truly beloved by someone.

Mr. Banks reading out the total snapped you from your solitary pity-party. $17.35. Sliding him five five dollar bills from your bag, you went to try and pick up your sack of goods, but Arthur stepped in before your fingers could even touch the rough fabric of the bag. “Looks like you gave him a bit too much,” Arthur nodded toward the cash that Mr. Banks was now putting into the register. 

“No, I know, but thank you. Have a great day, Mr. Banks,” you called out as you headed out the door, a very confused Arthur following behind, holding the sack of goods effortlessly with one hand. 

“You’re a strange woman,” you heard Arthur say behind you as you began to walk toward the carriage that was still parked outside of the bank. You had never been called strange before. You were always the perfect one, the golden star, the prime example of what every eldest daughter should be. It was a mask, you knew that, forced to put on a false personality in order to charm and amaze.

For the first time in a very long time, you had been yourself, cracking jokes and talking back and everything that high society hated. Even though you’d been doing it for less than fifteen minutes, it felt like an impossible weight had been lifted from your chest. And it was all thanks to the man that broke into your house. 

What an odd turn of events. 

“I’ll take that as a compliment, Arthur.” Now that you were closer to the carriage, you were able to see that it was currently empty, except for the driver who sat atop it who tipped his hat at you when you got close. Opening the small storage area attached to the back of the carriage, you gestured for Arthur to set the bag there, the wood creaking when he set it down. “Thank you, Arthur.”

“It’s no problem at all, Mrs. Kerrigan.” And he remembers things, too. Where did this man come from?

Before you could forget, you grabbed the whiskey bottle from the top of the bag, and you presented it to Arthur. “It ain’t much of a surprise, but I figured our new ‘deputies’ might like a little gift.” In the back of your mind, you had an inkling of suspicion that Arthur and his presumed friends weren’t actually going to be deputies, but like before, appearances need to be kept up. 

“Well, ain’t that mighty kind of you,” his voice went lighter, moving to take the bottle from you gently. “Thank you.” You tried not to react when his fingers brushed against yours, sending shocks through your body. 

“Of course. It’s-”

Loud laughter from the bank had you both turning, then having to move around the carriage to see what the commotion was all about. Dutch and Bill were laughing heartily, with a very confused yet entertained Hans chuckling lightly. You had to give them props; it was hard to make him laugh.

Dutch saw you first, becoming you over with a broad wave of his hand. Hans glanced over to where he was looking, and as soon as those dull eyes landed on you, you felt that mask creep back up. Your once natural smile turned forced, and you quickly made your way over to the men, leaving Arthur to walk up slowly on his own. 

You stood beside Hans, and even though he didn’t touch you, you felt your muscles stiffen as if someone had just rested their hand on your back. “Hello, dear.” You heard Hans say.

“Hello.” Your voice that was just filled with joy sounded lifeless. 

“Did you get what you needed from the store?” You nodded, and as Arthur sauntered close, his eyes scanned over you, like he was searching for the person he was just talking to. “Have you met these fine men?”

“Leigh had the pleasure of introducing us,” Dutch piped in, his dark eyes narrowing as they bounced between you and Hans. 

Please don’t question why I was so close to the Sheriff's Office, you repeated in your mind, relieved when he didn’t speak.

“Where’d you get that, Arthur?”

Everyone’s eyes followed where Bill pointed, and you felt a wave of nausea-inducing anxiety crash over you. He was pointing at the whiskey bottle in Arthur’s hands, and the man holding it shifted uncomfortably, not expecting everyone to suddenly be watching him with wide eyes. “This?” He asked, holding it up slightly.

Bill had a disbelieving look on his face. “You bought whiskey, Morgan? Out of everythin’ you could’ve gotten-”

“Oh, like you wouldn’t have bought it yourself,” he huffed. “It was a gift from her!” Arthur explained, gesturing to you with the bottle. 

Now it was your turn to have everyone’s eyes on you. A majority of them were kind, gratitude filling them as they thanked you. You could barely hear them. Your ears were ringing too badly, and you could feel holes forming where Hans stared at you.

“Is that true?” Hans’ voice was even. Why was it always even? It would be so much better if he just screamed at you, like anyone else would. 

“Yes,” you whispered, looking down at the dusty skirts of your dress. 

“I can pay you back,” you heard Arthur offer, and if you weren’t so mortified, you would’ve thanked him. But even you knew that it wasn’t about the money. Not this time.

Hans ignored him, continuing his verbal reprimanding of you. “I never said you could buy gifts. You were only allowed to get what we needed for the home. I-” he sighed, “I don’t know how long it's going to take for you to learn.”

Like I’m some damn dog. “I’m sorry,” was what you said, keeping your head down. Because of this, you missed another set of looks the three men swapped, some amused, and some angry. 

Hans sighed again. “Go wait for me in the carriage. Besides, a lady shouldn’t be sitting in on conversations about business.”

Like a child being sent into timeout, you were cast away. Shame burned your cheeks, and you felt embarrassed tears threaten to spill from your eyes. Humiliation wasn’t something new when it came to Hans, but the sting of it hadn’t dulled over the past two years. 

You didn’t even look up at Arthur as you walked past, not wanting to know what he thought of the whole situation. You didn’t know what would be worse to see in his eyes, pity or enjoyment. You heard Hans make a comment at your dispense, and you heard only two voices make any sort of responding statement. 

Finally reaching the carriage, you slumped your head against the door, not quite wanting to get in yet. At least out here you felt like you could breathe. You were so caught up in your own emotions that you didn’t hear the sound of Arthur’s spurs as he approached you. “Mrs. Kerrigan?” 

You jumped, and you turned to face him, the tears delicately holding themselves in your eyes falling because of all the movement. “Yes, Arthur?” You quickly wiped away the falling tears, and you took a few steps away from the carriage and towards him.

“Are you… alright?” He cringed at his own question, as it was blatantly obvious that you weren’t. Still, you found his concern endearing, and you smiled as best you could.

“I will be. It ain’t the first time,” you chuckled humorlessly, and you saw a flash of something in his eyes. “You’d think I would’ve grown thicker skin by now.”

“You shouldn’t have to.”

You sighed. “I know.”

“So why are you-”

“I can’t go.” You shut down that question fast, the one that you pondered every single day. “It’s just… I can’t.” You weren’t about to dump your issues on the poor man.

Luckily he seemed to realize there was a bigger situation at play, but you could tell he wasn’t happy about it. You were about to say something until you heard the closely approaching voice of Hans, with Dutch adding in his own points intermittently. 

Faster than you could register, Arthur was slinking behind you, opening the carriage door for you, and extending a hand for you to take. The whiskey bottle sat upright beside the rear wheel, setting it down to help you. 

Even though Hans had done this for you hundreds of times, this felt completely different. It felt like it came from genuine want rather than a role he had to play, the role of the doting husband. As you set your hand in his rough palm, you felt those same sparks again, and you swore he felt them too. 

Once you were situated back in the carriage, you watched him pick up the whiskey bottle before handing it back to you with an apologetic look on his face. “Keep it,” you held your hand up, “I’ll be happy if I know you three are enjoyin’ that tonight. And, for what it’s worth,” you glanced behind you, making sure your husband still wasn’t in the vehicle, “it was nice meeting you while you weren’t trying to rob me.”

Another one of those beautiful smiles graced his face, and it momentarily made you forget your woes. “I can say the same, darlin’.”

Your heart soared. 

“If you don’t mind me askin’,” you said quietly, “why were you at our house last night?”

“Money.” He shrugged half-heartedly. “I was told there’d be no one home, too.”

“Well, I’m afraid whoever told you that is a liar.”

He scoffed. “You think?” The two of you exchanged light laughter. “I guess I can’t complain, though.”

“Why’s that, Arthur?”

“Because-”

The other carriage door opening caused Arthur to fall quiet, giving you a small smile before taking a step back. “See you later.” You kept it from sounding like a question, but Arthur still nodded. And with that, Arthur closed the door, the air becoming oppressive as soon as it latched shut. Keeping your gaze averted, you pretended to look out the window, rather than on Arthur, eyes locked there until he became a blur on the horizon. 

You swore he did the same.

─•~❉᯽❉~•─

The ride back home was done in complete silence.

It was awkward and tense and you wanted nothing more than to just curl into a ball on the carriage floor. You kept your eyes locked on the window, even when Arthur was long out of sight, not able to bring yourself to look at Hans. 

It wasn’t until you were halfway back when he finally spoke, clearing his throat before doing so. “I’ll be leaving in a few days.”

That had your head turning, looking at him with confused eyes. It wasn’t unusual for him to leave, gone for days or weeks at a time, but it was never this sudden. “Oh… where?”

“Tumbleweed.” He practically spat out, clearly not excited to go. You wouldn’t be either, if what you heard about it was true. It was practically run by outlaws, and with cruel desert weather that inhabited even crueler animals. But the thing that struck you as odd was that Tumbleweed was practically a ghost town, falling into ruin a few years back. You had no idea why he would even be going there.

You didn’t bother to ask, knowing he wouldn’t give you an answer. So you fell back into tense silence, relieved when you saw the familiar woods surrounding your house. When the carriage came to a halt, Hans left first, and like he always did when he was upset at you, he left you to get out on your own, furthering the humiliation you felt. 

The chittering of animals helped to distract you as you got out, the feel of the soft dirt beneath your shoes further helping to ground you. Grabbing the goods from the back, you said a soft thanks to the driver before making your way inside, with some difficulty, the bag awkwardly heavy. And to think Arthur was carrying it with such ease.

Hans was already upstairs, and you heard the door to his office click shut. Standing in the entrance way, you almost let the bag drop, but you carried it over to the nearby kitchen counter. You dumped it and your personal bag unceremoniously there, and some of the produce rolled out, but you didn’t care.

After grabbing a bottle of wine, you slumped one of the chairs in the attached dining room. Alcohol was never in shortage here, and Hans didn’t drink wine, so you didn’t have any fear of being reprimanded again. 

The cork went missing, but you doubted you were going to need it. Pressing the bottle to your lips, you took a hearty drink, the taste of raspberries and orange barely noticeable to you. In your mind, you were going back over the trip to Rhodes, washing away the shame you felt with expensive wine.

But despite your embarrassment, you found that you couldn’t stop thinking about Arthur. Everything about him stuck out in your mind; his eyes, his voice, his body, his smile. 

Surprisingly, you felt a bit of guilt, causing you to take another big sip. You felt guilt for thinking about the other man like this, because despite your tense relationship, Hans was still your husband. You’d never be unfaithful to him… but not out of any moral reason. You didn’t want to risk losing something good for your family.

But you also felt guilty because it felt lecherous to think of Arthur like this. Here you were, grasping at the first man to show you any semblance of human connection like a fool. He wasn’t there to be your escape; he didn’t exist to solve your problems. 

You took another swig. 

And another. 

And more, until the bottle was empty, and a pleasant buzz filled your senses, your head feeling like it was stuffed with cotton. Getting up was a challenge, and you used the counter for support as you made your way to the goods, slowly putting them away. 

But despite your pitiful attempt of drowning your thoughts, your treacherous mind kept going back to the rugged man, and those blue-eyes that had butterflies erupting in your stomach. It was almost juvenile, the way you had a crush on this man, and you’d only met him once. 

Well, twice, but you wouldn’t consider the first time a proper meeting.

A small piece of paper fell out the bag, falling like a feather would, before it settled near your foot. Bending down, you felt the blood rush to your face as you did so, and you investigated the paper. It was clearly ripped out of a journal of sorts, and the handwriting was quick, like whoever wrote it only had a few seconds to do so. 

Only two words adorned the page. Thank you. 

More blood rushed to your face. You were so screwed.

[cyanide-sippy-cup]

Okay now that Anissa is in the show, I have to talk about THAT storyline. There's not much particularly new I can say that hasn't already been discussed but I need to gather my thoughts on what the show has to do to be successful in this regard. With that being said,

Spoilers for things the show has not covered yet

And massive Trigger Warning for discussions of sexual assault and post-assault trauma.

So first things out of the way, I do not believe they should cut it. The changes the show has made are ultimately pretty minor. A character change, order of events swapped. With them sticking as close as they are to the comic, I think it would be a massive problem to skip over it from a story telling standpoint.

From a real world standpoint, it's even more important. Male sexual assault is something that rarely gets depicted properly. It's usually a joke or a moment of triumph and that very much has had an effect on the way we look at it in the real world. And since Invincible is now a show pretty much everybody has their eyes on, choosing not to talk about it would be missing an opportunity to have a very real, very important conversation that very well could educate men on how to navigate and survive what they are going through.

I'm also worried that they'll be too afraid to actually say the word "rape". Lots of modern adaptations delete important discussions like Sokka's sexism or the gender discussions from Cowboy Bebop in order to avoid properly handling them and usually replace them with something worse in a sort of "all bark and no bite" liberalism. Directly saying it as it is is incredibly important to showing that talking about it is not only NOT shameful, but also necessary in getting the help you need and the healing that is necessary to survive.

And from a storytelling standpoint, saying it is important too. The moment where Mark tells Eve what happened is not only great in showing that telling someone is important but is also the moment where Mark is forced to admit the truth to himself. "She raped me." Those three words are a massive turning point for the whole story. Character dynamics change, this becomes a focus for most of Mark's loved ones, and it fundamentally changes his life.

Markus. This is a piece of the puzzle I don't see many talk about. While the rest is a showcase of what to do, Markus as a character is a showcase of what not to. It is so, so rare that a child conceived of a rape is properly depicted, nevermind discussed. From Mark's POV, he holds no ill will towards his son. He simply wants him to live a life on Earth with his family like he did and just can't be with him because he is needed in space. But to Markus, his dad hates him. He thinks his father keeps him on Earth so that he doesn't have to think about him. And this idea of his father's disgust contorts his image of himself. He begins to feel self-hatred, hatred towards his mother for making him this way, and hatred towards his father for abandoning him and leaving him to despise what he sees in the mirror. "You made Terra with love. I was made with hate."

Whether Mark meant it or not, his neglect of Markus ruined his early life. No matter how many friends he made, what groups he joined, they could never fill that hole. He idolized his father. I mean, how could he not? His father was, IS a great hero. A man who was out at that very moment leading the movement for universal peace. But because Mark barely visited him, he only had an idea of what his father was like. A man who sacrificed so much to help the world, who fought in space and yet still managed to save the Earth dozens of times. A man who had the time to help everyone and yet couldn't make time for him.

(Important edit: in no way do I mean to say Mark is obligated to be a part of his son's life, I meant that Mark chooses to be there but ultimately fails to do so and that causes issues)

And don't get me wrong, this story has some pretty glaring flaws. For example I think they tried a little too hard to teach Mark that the person who hurt him is human too and has positively affected the lives of many. Like absolutely there is a conversation to be had there but because they had to move on with the plot they kinda just went "HEY MARK DON'T BE SAD SHE'S COOL NOW AND ALSO SHE'S DEAD SO THERE'S NO POINT IN LINGERING OKAY BYYEEEEE". But I think instead of these flaws scaring the show away they should invite the show forward. It's an opportunity to improve on the story and discussions rather than shy away from it.

Oh and also harking back to my previous point in paragraph 2, there's another aspect that makes it stand out in an important discussion. If I'm remembering correctly, the comic makes it pretty clear that Mark could have overpowered Anissa but didn't for a couple of reasons, namely not wanting to hurt her. And that is SO important and SO rare. A discussion surrounding an assault victim who could have fought back but didn't where the victim is NOT portrayed as in the wrong and in fact just as worthy to be traumatized as any other victim is SO DAMN IMPORTANT and could legit change a lot in the way we look at these topics.

So yeah, I think the series should adapt it. Also I think it would be great if they brought on actual victims and experts and whatnot so their depiction could be just that much more focused around what needs to be said. Sorry if all this read as klunky, I have a lot of thoughts bouncing around up here that I kinda just spewed onto the page with no particular order. I'm also obviously not the most educated on the topic. My personal experiences with this were relatively minor and not something I've ever felt comfortable addressing. And yeah I know it's important no matter how "small" or "minor" it seems and I'm not trying to downplay any of that but I just don't really have the words to phrase that differently. Which is exactly why I think we NEED education and discussions about this stuff so that we DO know the words to navigate the topic.

[allergictocolor]

Character Profile - Wednesday Addams

“Child of woe, is wan and delicate with her mother’s dark black hair and white complexion. Sensitive and on the quiet side, she loves the picnics and outings to the underground caverns often planned by Morticia and Gomez. She is a solemn child, prim in dress and, on the whole, pretty lost. Gomez is wild about her. Secretive and imaginative, poetic, seems underprivileged and given to occasional tantrums. Has six toes on one foot.” - Chas Addams

Wednesday Addams was indeed named after the nursery rhyme Monday’s Child. “Wednesday’s child is full of woe.” Her middle name, Friday, is stated in the 10th episode of the 1960s TV show. In the comics, she is nearly always shown in a long, dark dress with a white collar and many buttons down the front. When the comics were in color, the dress was dark green or brown. Her expression was usually haunted or worried, as opposed to the mischievous expression of her brother Pugsley. She only looked happy when they were scheming together.

In the first episode of the TV show, the children are forced to go to public school after being homeschooled until then. Wednesday is six years old. When they get back home after the first day, she throws a tantrum because they read a story about a knight killing a dragon. She’s terribly upset about the poor dragon. This tantrum was likely inspired by the one from the comics when “she’s furious because they put her on the honor roll at school.”

Wednesday is always portrayed as brilliant and capable, and the idea of rebellion or escape comes up in multiple iterations of the character. In the first season of the 60s show, she runs away from home because she’s scolded for playing with Fester’s explosives rather than her own. In Addams Family Values, she tries to escape summer camp twice, succeeding the second time. In the musical, she’s only 18 but engaged to a normal guy named Lucas, and horrifies her family by wearing a bright yellow dress. In the 2019 animated film, she befriends a normie girl and they swap styles. Wednesday horrifies her mother by showing up in a white and pink outfit, then runs away from home after being punished for such behavior. It’s not so strange, then, that the version of Wednesday we see in the 2022 Netflix series is at odds with her parents and planning to run away from the school they send her to. 

The Netflix series isn’t the only Addams family property full of Easter eggs and nods to the previous versions. The Thanksgiving play anachronistically set in a summer camp in Addams Family Values may well have been inspired by an early episode of the 60s show where Wednesday and Pugsley were playing “cowboys and indians” with another child and Wednesday wore a very similar headband:

The love of guillotines in both children is another element that stays constant throughout their many incarnations. They’re shown beheading a doll in the comics, so of course Wednesday has a headless doll of Marie Antoinette in the TV show. The siblings threaten to behead baby Pubert in Addams Family Values. Wednesday sleeps in a guillotine bed in the 2019 film. Finally, a flashback shows her favorite birthday cake featuring a guillotine beheading a fondant person, complete with gushing blood, in the Netflix series.

While the comics established her signature pigtails, it wasn’t a medium that could convey tone of voice. Lisa Loring was a little too young to do a perfect deadpan voice in the TV show, but she did her best. (She did have the Kubrick stare down pat, though.) It wasn’t until the 90s movies that Wednesday got her distinctive voice. Christina Ricci gave her a dry delivery that continued with Chloë Grace Moretz and Jenna Ortega.

The Netflix series adds a twist that all of the Addams family members have some “outcast” ability that sets them apart from “normie” society. Wednesday’s ability is psychic visions, most of which involve the central mystery in the first season. She also writes mystery novels, which coincides with her drive to solve the mystery she finds herself involved in. These aren’t traits she has necessarily displayed before, but they fit with her intelligent and curious nature, and it gives her character more to do than just being spooky.

I find it amusing to see the contrast between the scene in Addams Family Values when Wednesday is forced to watch peppy movies as punishment/torture, and the scene in Wednesday (2022) when she’s shown Legally Blonde on a date as flirtatious torture. You can torture her, but the context makes a huge difference.

As I mentioned in my profile of Pugsley, I like that the Netflix series finally acknowledges that if Gomez is Hispanic/Latino, then the children would be as well. I’m not sure if Gomez is supposed to be Castilian as he has been historically, Puerto Rican as Luis Guzmán is, or something else. But the casting for the show has been great. Jenna Ortega’s fame has skyrocketed since the first season, she’s been nominated for awards, and people are already buzzing about the second season, even though it’s not due until some time next year.

[marvelousmrm]

Ghost Rider #30 (Mckenzie/Perlin, June 1978). One of those crossover ideas I’m shocked hasn’t happened already! Strange probes Blaze’s soul, resulting in a supernatural body swap. Meanwhile a mysterious rider on horseback approaches… Could it be Carter Slade? I’ve been intrigued by the idea of a cowboy Ghost Rider since the Nic Cage movie but the early Slade comics are hard to find!

[mcrmadness]

This is yet again for another art prompt I got on Instagram: the prompt was very simple, "dä on Halloween". Reblogging allowed as usual!

I was brainstorming the costumes for a long time until it hit me that this would be my chance to try out that art-style-swap challenge I have been wanting to try as well! Took me another moment to brainstorm which art styles I would do, since I normally don't do this, and this was the end-result:

Bela as a cowboy in the style of Morris, known for Lucky Luke comics, and Bela's base here was the Daltons.

Farin sometimes resembles a skeleton already without even a costume on, so that was my first choice for his costume - art style being of course Tim Burton's.

And finally, Rod, for whom I could not think of any costume other than the dadjoke I told myself in my sleep a few years ago, so he became a Fishing Rod once again. The style is Tove Jansson's, know for her Moomin drawings. I didn't want to make him to cosplay any specific character, so I pretty much combined Snuffkin and Too-Ticky into one as they both love to fish; finished with Rod's purple suit that I think I have now seen live at least twice if not three times at concerts.

I also chose the art mediums to fit the artists' styles - I don't have real ink so I used Pigma Microns for the lineart, but the colouring was done with alcohol-based markers on Bela, coloured pencils on Farin, and watercolour pencils + water on Rod; drawn on an A4 paper.

This was an extremely fun things to challenge myself with! It's also fun to see how strong my own style really is, I can see it peeking through from each one of these. Not to mention that my style, also, has been strongly inspired by these Belgian and French comics I grew up reading, with a hint of some American comic strips!

Here are also some close-ups of the faces just for fun:

[emperoryumemomo]

First, hello :3 I go by Yume Momo, or simply Momo! I'm 20 and my pronouns are classified by the CIA

I mainly make Hetalia content for now, but sometimes i post about my own ocs and stories too. Everything useful is below the cut :)

Before we begin, know that you can find all my own nonfandom oc stuff under the tag #yumemomoverse

Speaking of Ocs, i have a few hetalia ocs, here's a few links to their lore rant posts (and a semi relevant Stomaria post cause i havent ranted about his lore yet):

Welland | #hws welland #aph welland

Femmerica | #hws femmerica #aph femmerica

Peroya | #hws peroya #aph peroya

Saxoland | #hws saxoland #aph saxoland

Stomaria (Stomaria is NOT my oc, he's a canon character from the manga, but i've shoved so many headcanons down his throat that at this point... he might as well be 3/4th of an oc) | #hws stomaria #aph stomaria

Rosetear (collab oc with @hws-scotland-enthusiast!!! ) | #hws rosetear #aph rosetear

Moria | #hws moria #aph moria

Additional lore posts!: What does Welland think about Saxoland?

Feel free to draw them if you want, i love getting fanart :33 None of my ocs represent real places, they're all entirely made up and have no relation to any real place named like them!

Some Aus, some developed, most not:

2P 1 | 2 | 3 | 4 | 5 | 6 | 7

Nyotalia | 1 | 2

Pirate AU | 1 | 2 | 3 | 4

Personality swap AU | 1

Nekotalia | 1

Animal AU | 1

Mochitalia | 1 | 2

Home on the range/ Cowboy AU | 1 | 2 | 3 | 4

My Little Country: Politics are Magic/MLP | 1 | 2 | 3

Ageswap AU | 1 | 2

Shrek AU | 1

Scooby doo AU | 1

Monster high AU | 1

Cells At Work! AU | 1

Random notable posts: Britannia design | Gangsta AU Nire and Scotland | microwaved stomaria | UK bros body types | glitter gifs | fake hetalia screenshot one , fake hetalia screenshot two | colonycaptor arthur | ME! My persona :333 | Stomaria and Welland voiceclaim | Furry Welland (it's just so good) | glitter gifs 2.0 | he's just so handsoap

I have a few blogs! This one obviously, but also:

My welland ask blog | @ask-welland-and-the-uk-bros This blog is mainly about Welland and his dads, England, Scotland, Northern Ireland and Wales, but other characters also can appear! Sadly this blog is in an indefinite hiatus

My Stomaria ask blog | @ask-stomaria-n-the-micronations This blog is about Stomaria, but also about the other micronations! Sadly this blog is in an indefinite hiatus... also

My Spirou focused blog | @spirouadventures This blog is about Spirou and Fantasio, but also dabbles in other franco-belgian comic content. I lost the password to this account but it's still mine so... let's hope one day i will remember the password

I happen to kinda need money, so please if you like my art and can afford it, commission me

You can use my art as a profile picture or a banner, but please credit me! If you want me to draw a character, Hetalia or otherwise, send me an ask and maybe i will draw them

[abaroo]

Start/Previous/Next

Cowboy Swap Masterpost

[velvetwyrme]

Font anon again! Thanks for indulging me. Yes it is the fic where SF!Papyrus is Palatino. It’s one of my favs. I agree with Serif as a last name because it’s funny.

I’m going mostly off vibes. You completely nailed what I was going for with UF! Papyrus (you are definitely the right person to brainstorm with and have great insight.) My original font search prioritized fonts people complained about, sticking to the theme of Comic Sans and Papyrus being “annoying fonts.” If you can think of any other ones I’m down to hear them.

Here is my list of names:

Courier

Helvetica

Trajan

Bradley Hand

Gentona, Avenir

Calibri

Verveine

Corsiva

Frutiger

Bodoni

Vivaldi

Zapfino

Rockwell

Amadeus

Clarendon

Arvo

Avenir

Casion

Cooper

Didot

Carrington

Anviers

Fontin

Fertigo

Harrington

*waves hand at you* nOOOOO WORRIESSS and thank you for the clarification ;D!! I'm always here for indulgence owu!! And thank you! I'm glad you like my take on things haha! (ANNOYING FONTS LETS GO!!!!)

This is a fantastic list :o!! I pulled up all the fonts in your list in another window for maximum ponderance lol.

I stuck my thoughts under the cut because as usual it got long (and for some of them I'm spitballing more than anything) but hopefully it's of some help ^^!

Swap!Papyrus: Hands down (haha), he suits Bradley Hand visually- the font is like Papyrus (font) but more loose and scribbled- it has more curves and thus has a more laidback kind of vibe, which is why I think it'd suit him... but also I'm losing my mind at the idea of calling him Bradley (derogatory) (/lh).

(I'm also biased though. I used to use this font for writing when I was younger LMAO. You know how people say to write with Comic Sans? I did that with Bradley Hand.)

Swap!Sans: I reckon he'd fit Cooper.

Round, bold, a little bit 'childish' when compared to other fonts, but infinitely more put together than Comic Sans. It also makes me think about comics like Archie or Garfield, which used similar rounded fonts for their titles! Cooper (font) feels so... cartoony to me, y'know? Also it makes me think of Sly Cooper just namewise lmaooooo

Underfell!Sans: Ok. OK. Listen I don't think this font suits him BUT!!! Fontin would be REALLY FUNNY just purely because I think he'd have the time of his life making jokes about "Fonting". Like: "ey! i'm fontin' here!" type of jokes which would get old so so so quickly. Do you see my vision.

If Carrington was less... curly-cursive I'd say it'd suit him purely for the potential visual association with like. the typeface you might see at a stereotypical tattoo parlour or something. IDK it makes me think about tattoos and motorcycles.

SAYING ALL THAT THOUGH: I think he could suit Rockwell! It makes me think of titles and bold headers, also cowboy westerns and Very Masculine and Cool products lol. Except... Rockwell is usually used with Uppercase, Title case or Sentence case. Purely lowercase Rockwell feels inherently cursed to me. (Like truly, what are you doing if you're using Rockwell in lowercase. That's committing a violence.)

Swapfell!Papyrus: Weirdly enough, I reckon I could see him with Corsiva or Fertigo? (Which... looks strikingly similar to Fontin. Huh!)

(Fertigo on the LEFT, Fontin on the RIGHT)

IMO, Fertigo feels more laidback due to the curling tips (which still come to sharp points). The way that the ends of "strokes" get flicked gives it a sort of lazier vibe.

BUT the font choice here also depends on your interpretation of SF!Pap!!

If you want to have a font that's underrated and everywhere?? GO Calibri. It's used as the default font for Microsoft, and is designed to be very easy to read. This is particularly befitting of the interpretations of SF!Pap where he's well versed in computers/electronics and/or doing spywork. His presence is not actively noticed, but he's always there! Alternatively, if you wanted to name him after a serif'd font, similar to Calibri, one of the fonts from your list, Caslon, has a somewhat ubiquitous presence, and also feels a little rougher/crunchier than stuff like Calibri or Fertigo.

Other notes:

I know you already decided on a name for him, but Trajan is also a really good alternative option for UF!Papyrus imo. Similar Roman-Commander vibes except even more explicit LMAO. Plus, it's a solely uppercase font, which is even more fitting.

Didot... if you swap the 'i' for a 'd' and vice versa, you get 'idiot' which is simply ripe for the teasing, but I don't think it fits any of the skeletons lol.

I would have suggested Arial as an option due to it's former prevalence, but honestly that name (+Verdana) have like… cemented themselves in my brain as 'fan-made skeleton' fonts ajbhjsmhjmdh (no shade whatsoever to anyone who uses them ofc, but MAN are they used a LOT.)

[thoulizziers]

Commisions are open!!

Alrightt let's try to start over because I gotta put all info SOMEWHERE

First of all... HI, I'M BLANCA! Or Liz. This is a drawing blog, but my sona has it's own lore too so It may roleplay sometime? I dunno

Anyway have a list of stuff

Masterposts:

TADC:

Doubles AU (TBA)

Phobias AU (TBA)

TADCity AU (TBA)

TADKingdom AU (TBA)

Cowboy AU (TBA)

Digital Medieval Ages AU (TBA)

My swap AU (TBA)

Final act AU (WIP)

Vengedful AU (TBA)

FNaF:

Suit off masterpost (TBA)

Out of hell Masterpost (TBA)

Fredbear's Camp comic (TBA)

Poppy Playtime:

F & C Coin & Fur

SC OCs masterpost (TBA)

OC project(s):

Project 024 masterpost (TBA)

Indigo Park:

Rambley & Friends masterpost (TBA)

My sonas:

Blanca sona references/lore

Liz sona references

Eli sona reference

Beth sona reference

Abby sona reference (TBA)

Ella sona reference

Want something from [X] fandom or [X] character? You can search the Fandom/character's name on the tags! If It isn't there, you can request me to draw em :D!

And some amazing people you should follow rn:

@xxmoonduskxx

@honeylavendersweets

@ash-the-bee

@modperseus

@yejehehe4746

@mod-teacup

@rainidaz3

@byabitcrazy

@pinkclownshoes

@thatgirlfluxwoman

💪💪

If any of the links don't work pls tell me 😔

Side note my main account is a roleplay blog (@jester-anon) so i'm not able to have mutuals in this blog ☹️😔

[wanderingaldecaldo]

💕 Self-love time! Talk about which ones of YOUR creations (edits, artworks, fanfics) you like the most, then send to other creators to do the same 💕

Thank you so much @rosapexa! 🥰❤️ I'm super proud of this photoset I did for Halloween last year, Poison Ivy and The Penguin! It's the biggest non-work, non-writing project I've completed. It required a lot of work modding-wise, and I picked up some new skills along the way, and in the end it was worth all the effort!

Mitch 🤝 me, unable to keep our eyes off of Valerie

Early on in Corpo Val's life, someone commented that she looked like Poison Ivy, and I couldn't stop thinking about that. I'd wanted to do a couple's theme the previous Halloween but didn't have the time, so I started working on this in late summer to get it done. I started by looking at Poison Ivy's costumes, both from movies and comics, and matching things in-game that could serve my purpose. I ended up with this: Mel's (Panam's) bodysuit, arm-length gloves, and Evelyn's boots.

Val's first appearance as Poison Ivy

I wanted to add some texture to the bodysuit, and nothing in game matched what I imagined, so the first thing I learned was adding a new texture to use as a pattern. It turned out better than I hoped! Next were the boots which required a refit since Evelyn has skinny legs compared to vanilla fem. I knew that ArchiveXL allowed the hiding of different parts of the body mesh, so between extensive refitting and learning something new, I chose ArchiveXL. (And I'm so glad I did!) Then it was a matter of recoloring them and the sleeves to coordinate with the bodysuit.

For Mitch, I wasn't entirely sure what to do since I'm not as familiar with DC. I thought The Penguin could be a good match given his hair and nose, but it wasn't until I found this art from a comic cover that I knew I made the right decision. I already had a suit I'd been working on for the Corpo AU, so it was just a matter of swapping out the shirt for the three piece suit and recoloring it.

The Penguin from Wikipedia; Mitch in a suit 🥵 by me

His accessories were the third (and fourth) things I learned in the process. I replaced the cowboy hat with a free 3D mesh top hat; created the normal map and the mlmask for the textures from scratch (just don't ask me how to do the normal map again); and colored it match the suit and pocket square. The umbrella was a half-successful experiment in which I added a new prop to the game. I struggled with the textures, and eventually called it "good enough", which is why you don't see it too much. 😅

And the final product! I have never used so many props in my life, and it gave me a greater appreciation for everyone who does have that patience. I used Wingdeer's roses to make a crown for her to wear, then went ham decorating, and decorated some more.

I still can't believe I did all this! I'm so happy with how everything turned out. 🥰

Want more? #poison ivy and the penguin

[clay-cuttlefish]

Turns out it's difficult to read comics and type while a cat is rubbing her face on your hands.

Question #10

I'm so annoyed that Vic hating hallucinogens gets ignored later. Disliking not knowing what's real is an interesting aspect of his early characterization where he's very set about knowing right from wrong, and a more general distaste for not being himself makes a lot of sense for someone with anger and dissociation issues.

It's sort of a shame that we don't get a lot of Tot's perspective on the things we learn about him but it works. Tot knows exactly who he is and has moved on with his life, it's Vic who's chasing pasts.

Oh hey, Batman lore.

This fucking guy. I think he's probably my favourite villain in the run because of how weird his motives are.

#11

Particle accelerator alchemy rules. Of course you have to insert a prime number sequence to accelerate particles fast enough to purify the human soul.

Vic seems to have been taking care of Tot for a while in that end sequence, it's very sweet.

#12

Always funny to me when I'm reminded that Vic is canonically extremely hot. I don't disagree, but he spends a lot of this run as a grittily-inked brick with a mullet, so.

The letters about this issue include a) O'Neil getting annoyed at the implication that Myra and Vic are at risk of getting AIDS and telling the letter writer to go learn about safe sex and b) Vic hotness opinions. Comic book fandom has always been Like This.

I have so much respect for people who had the confidence to write to an author to get their full name and address included in a thirst post about design changes.

Much as I like particle accelerator alchemy, these mundane industrial evils are where the series is at its best.

#13

Drowning motif spotted 👁️👁️

I particularly love this use of it, highlighting Vic's impulse to save people against both his former self's harshness and the apathy of most of the city.

Myra's political career is one of the best parts of the run. Yes! Have opinions about engineering neglect!

Tot's stupid "PROF" mug <3

#14

I'm not totally sold on the soldier plot, but Myra stepping into politics and learning to take the pressure is excellent, and the back-and-forth is very well paced.

#15

This one is incredibly racist. Don't bother.

Some of the pages are swapped in my copy. It's the only issue I have with this problem.

#16

The cop-punching montage is such an opener.

Myra's iconic in this. She looks great, she's hitting her stride, great stuff.

COWBOY TIME.

#17

The only good Watchmen crossover and I will die on this hill.

He just like me fr (having a comic book induced meltdown)

There's a Lot this issue, huh. Cowboys, helicopter murder, Alan Moore is a person in the DC universe, Green Arrow is there.

It's going to be so hard not to just use the "Rorschach sucks" panel as commentary for some of the later comics on my list. Clearly the compare and contrast was necessary, and it should be required for anyone who's writing the Question to keep it in mind.